iraninari

How I work

The one necessary line.

If you have seen one of my project sites, you will have met this shape. It is my redrawing of Damien Newman’s design squiggle, it runs down the page as a divider, and nobody ever explains it. So here is the explanation, including what I changed and why. Fair warning: I am happiest at the messy end.

Left. Everything at once, nothing ruled out Right. One line, and a team that can build it
The original

Not mine

I want to be clear about this before anything else. The squiggle is Damien Newman’s. He drew it at the beginning of the 2000s, on a Wacom tablet, while working on complex desktop software, because he needed to explain the value of design to a client in under thirty seconds. It has been doing that job for the whole industry ever since.

What he drew

One continuous line that starts as a knot and ends as a point. It covers researching, uncovering insights, generating concepts, iterating prototypes, and arriving at a single designed solution. The left is mess and uncertainty. The right is a single point of focus: the design.

It is the best thirty seconds of explanation our field has. I have used it in rooms where nothing else would have worked, and I have watched people who do not care about design nod at it.

thedesignsquiggle.com
The Design Squiggle is a simple illustration of the design process by Damien Newman, published under a Creative Commons licence and free to use with attribution. The version on my sites is my own redrawing of his idea, not his artwork.

What I changed

I redraw it, rather than reproduce it. My line is looser at the start and settles more slowly, because in my experience the mess lasts longer than the original drawing suggests.

I label both ends every time. Newman’s version is deliberately unlabelled, which is what makes it universal. Mine always names what is on the left and what is on the right for that specific piece of work, so it argues something rather than decorating a page.

I broke it into three close-ups. The squiggle is brilliant at a glance and useless for explaining any single part. So I drew three diagrams that zoom into where the work actually changes shape.

And I moved the emphasis. Most people use it to justify the clean end. I use it to defend the messy start.

The honest bit

WHERE I AM HAPPIEST EVERYONE ELSE’S FAVOURITE PART

I am happiest at the tangled end, detangling.

Most people in this industry are drawn to the right-hand side. The clean line, the finished thing, the launch. I understand why. It photographs well and it is the part you can put in a portfolio.

I like the left. The contradictions, the five stakeholders who each want something different, the research that refuses to agree with itself. Pulling that apart is the part of the job I would do for free, and it is the part most teams want to skip.

That preference is not a quirk, it is the whole offer. Teams rarely need help drawing the straight line. They need someone who will stay in the knot long enough to find where it actually comes undone, and who does not panic while it still looks like a knot.

It is also why I work the way I do. I go wide before I go narrow, I read the boring evidence first, and I will not hand you a confident answer in week one. What I will do is make sure that when the line does appear, it is the right one.

How they fit together

Three close-ups of one line

The squiggle is the whole journey at a glance, which makes it useless for explaining any particular part of it. So I keep three diagrams that zoom into the three places where the work actually changes shape. Here is where each one sits.

DIAGRAM I The signal many inputs, one finding DIAGRAM II Iteration to principle many attempts, one rule DIAGRAM III Ambiguity to launch one rule, held under pressure NOISE PATTERN SHIPPED
The diagrams

Each one, up close

These are the pictures I actually think with. I draw versions of them on whiteboards more often than I would like to admit.

I

The signal

The tangled start
EVERYTHING YOU KNOW WHAT TO DO

Many inputs, one finding. Discovery starts as noise: reviews, analytics, support transcripts, competitor behaviour, and five people with five opinions. The work is finding the point everything else orbits.

The bright dot in the middle is the finding a team can act on. Everything to the right of it is just being organised about what follows, which is the easy half.

II

Iteration to principle

The turn in the middle
REDUCTION 104px ITERATIONS PRINCIPLE

Many attempts, one rule. Dozens of experiments, pivots and dead ends, most of which look identical from the outside. Then a moment where the shape underneath becomes visible.

The single hexagon on the right is not one of the attempts. It is the rule they were all circling, drawn once and measured, so the next person does not have to rediscover it.

III

Ambiguity to launch

The straight run
AMBIGUITY STRUCTURE LAUNCH

One rule, held under pressure. Every product starts as a tangle of competing forces: a roadmap, a deadline, an engineering constraint and someone’s strong preference.

The middle loop is the structure that resolves them, which is a single continuous line even though it does not look like one. The straight run at the end is the only part anyone else ever sees.

Where you will see it

Reading the project sites

When I apply for a role I build a small site for it, with the research I would bring to that job. The squiggle appears between the sections of those sites, and it is doing something specific each time.

After the evidence
The squiggle sits between the research and the strategy. It marks the point where I stop collecting and start choosing, and the caption underneath names both sides: noise on the left, focus on the right.
After the strategy
Between the strategic argument and the interface work. Same shape, different caption: options on the left, decisions on the right. The repetition is deliberate. It is the same move at a smaller scale.
Before the plan
Between the findings and the research plan that would produce them properly. Inferred on the left, evidenced on the right, which is the most honest divider on any of those pages.
Everywhere else
As a small mark in the header, and in the corner of the CV. At that size it is just a signature. It still means the same thing.

If any of this is useful to you, I would like to hear about the problem. Get in touch, and reach out if you want to see my work.